Special effects are achieved on a set as opposed to being created during post-production.Īs bigger productions span a lot of script days, costumes can present an organizational challenge. Instead, just list an effect as your element, and let your special effects supervisor work their magic. You don’t have to list each component of this process element. For example, a magazine on a table is an object, but if a character picks it up, it’s a prop. PropsĪs a general rule, an object is considered a prop only if a character interacts with it.
LINK OBJECTS FINAL DRAFT TAGGER SOFTWARE
Script breakdown software can make it easy to tag these elements. Smaller vehicles may not get tagged as “vehicles,” while larger vehicles (like ships) may be better described as locations. This category includes only picture vehicles. You can break down stunts in two ways: Either mark each stunt as one element and let your stunt coordinator get everything needed or break down every sub-element of each stunt (such as crash pad, stunt double, etc.). Stunts are considered process elements that need extra personnel and equipment. You can divide extras into subcategories such as atmosphere (people who just fill up space) and featured extras (characters who interact but don’t play an important role in the storyline). Most characters who don’t speak are considered extras. Maggie Simpson is a great example of a non-speaking character with a large role in “The Simpsons.” 2. However, you may also have cast members who don’t speak but play a key role in the plot. Cast MembersĬast members are usually characters that speak during the film.
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